CLUE WHIZZING FROM THE LEFT
Maria-Kristiina Ulas
X
Maria-Kristiina Ulas will open her personal exhibition Clue whizzing from the Left in Hobusepea gallery at 18:00 on Wednesday, January 11th, 2023. Exhibition will stay open until February 6th, 2023.
“Contingency can be enlightening, a quiet nudging towards the bright side. A fresh opportunity to understand despite the fact that the remains of memory are floating in the void. The vigor of comprehension vividly explodes, clues assist us to take a turn and not to stop, to move on, to change direction, your manner will change with ease and screech, way of life becomes alive, world view will be readjusted. Direct awakening within the flow of clues – a clue from the left, a clue from the right, from the top of one’s head and under the soles of one’s feet. Fresh allusions choose the vibrations of freedom, ripples of light, murmurs of water. Purposeless destiny is constantly being weighed again and again. Why does the devilish suspicion of criminal offence undermine the hollow skulls? Where does the wary fear come from?
Disgusting proliferating foul intolerable reek is belligerently tapping in the left ventricle of one’s mind but the implacable clue is whizzing by from the left and takes you to the awakened fields. Outside political efforts, above, beneath machinations, higher, deeper, there is a silent warm sea rippling inside, and will remain the keeper of all mornings. Clues take us to understandings and every understanding must be confirmed by a trace, otherwise it will disappear into thin air, will be lost in non-existence, will be forgotten and one cannot reach it any more. A human being – an alert beast.”
Maria-Kristiina Ulas
The exhibition is supported by: Cultural Endowment of Estonia, Vunder Skizze
Exhibitions in Hobusepea gallery are supported by the Cultural Endowment of Estonia, Estonian Minis-try of Culture and Liviko Ltd.
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
08.02.-06.03.2023
Olev Kuma & Solveig Lill
Olev Kuma & Solveig Lill
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
08.03.-03.04.2023
Valeri Vinogradov
Valeri Vinogradov
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
05.04.-30.04.2023
Kadri-Liis Rääk
Kadri-Liis Rääk
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
03.05.-29.05.2023
Anu Vahtra
Anu Vahtra
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
14.06.-10.07.2023
Peeter Laurits
Peeter Laurits
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
12.07.-07.08.2023
Gerda Hansen & Jane Muts & Mari Steinberg
Gerda Hansen & Jane Muts & Mari Steinberg
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
09.08.-04.09.2023
Leena Kela & Kristoffer Ala-Ketola & Mika Taanila (FI)
Leena Kela & Kristoffer Ala-Ketola & Mika Taanila (FI)
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
06.09.-02.10.2023
Keiu Maasik
Keiu Maasik
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
04.10.-30.10.2023
Chun Au Yeung - EAA YOUNG ARTIST AWARD 2022
Chun Au Yeung - EAA YOUNG ARTIST AWARD 2022
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
01.11.-27.11.2023
Young Estonian Photo Art / Tallinn Photo Month '23
Young Estonian Photo Art / Tallinn Photo Month '23
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
29.11.-23.12.2023
ART ALLMÄGI & Katrin Piile
ART ALLMÄGI & Katrin Piile
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
ART ALLMÄGI is an installation artist with the degree in sculpture art. In his works he likes to flirt with the elements of pop, kitsch and architecture, using the classical approach towards sculpture in a contemporary way. His narrative method of telling the stories often touches socially and politically delicate subjects.
Katrin Piile is a freelance painter and drawing artist who lives and works in Tallinn. She graduated from the department of painting at the Estonian Academy of Arts in 2010. Piile has participated in exhibitions since 2006. She is a member of the Estonian Painters' Association since 2019.
28.12.-22.01.2024
Sten Saarits
Sten Saarits
Maria-Kristiina Ulas graduated from the department of graphic art at the Estonian Academy of Arts in 1991 while following the footprints of both of her parents – her mother Concordia Klar (1938–2004) and father Peeter Ulas (1934–2008) were well-known Estonian graphic artists.
Already during her academic studies Maria-Kristiina Ulas excelled at her extraordinarily unique drawing – this diverse medium has remained Ulas's main expressive means until the present day. Maria-Kristiina Ulas's emergence in Estonian art life in 1990s coincided with the pivotal era of changing paradigms. On one side, her artistic nature fitted well with the mythologicalness and neoexpressionistic powerful figurativeness of the second half of 1980s; on the other side, the borders of art were broadening and new freedom arrived both in formats and techniques. Ulas expanded the borders of drawing as an attribute of expression while powerfully bringing the medium to the fore among big art and giving common sketching, pre-work or study a wider dimension. Maria-Kristiina Ulas' drawing manner, based on classical drawing, has been always free and improvisational, reminding of the style of Ado Vabbe. Her gigantic and colourful drawings, balancing on the verge of figurativeness and abstraction, immediately caught attention and received acknowledgement. Later, Ulas's figurative world, charged with playfulness and unconcealed eroticism, has increasingly acquired mysticism and surreal elements. With theatrical downrightness, the artist has developed her unique style of self-mythology while creating startling characters and enchanting loaded compositions where the expressiveness of line prevails over colourful surface.
Maria-Kristiina Ulas' artwork were first publicly displayed in 1988. Since then, she has held around twenty personal exhibitions as well as participated in several group exhibitions both in Estonia and abroad. For many years, Ulas has been worked as a lecturer at the Estonian Academy of Arts and led several courses outside the institution as well as held drawing actions at the exhibition openings. She is a member of the Estonian Artists' Association (since 1991) and the Association of Estonian Printmakers (since 1992). In 1989–1993 Ulas was a member of Uue Graafika Grupp. She received Kristjan Raud Art Award in 1992 and G Galerii Art Award in 2002. In 2006, Ulas was entitled with the Award of Noted Artist at the 12th Asian Art Biennial. In 2022, she was selected the Graphic Artist of the Year. Maria-Kristiina Ulas' artwork are part of the collections of the Art Museum of Estonia and Tartu Art Museum.
Reeli Kõiv
hobusepea gallery
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draakon gallery
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SOFT TOUCH ON THE DECKLE
Maria Erikson
X
Maria Erikson‘s solo exhibition Soft Touch on the Deckle opens in Draakon gallery at 6pm on Wednesday, January 11, 2023. Exhibition will stay open until February 4, 2023.
At her present exhibition Soft Touch on the Deckle, the artist observes her relationship with the process of graphic art involving the body of the artist and the lithographic limestone. Seeking parallels and contradictions between them a comparison is made between a body and its surface to the one of the stone. While attributing limestone with human skin-like ability to memorize, Erikson explores her personal artwork as a dialogue between the two bodies – the one of the artist and the one of the stone. Through material interactions and contact events new forms of co-existence and non-hierarchical ways of communication between them emerge.
The surface of lithographic stone is smooth and porous. Similarly to skin it records the touch that stratifies over time. Lithographic liquid tusche is commonly used in Erikson’s artistic practice. Its dried coatings on the surface of the litho stone result in reticulation that can be seen as an abstract landscape. In this way the touch between the artist and the material as well as the stone´s geological strata are interwtined.
Soft Touch on the Deckle is a three-part exhibition project – the first part is being exhibited here in Draakon gallery, the second one will be displayed in Ratamo gallery, Jyväskylä in March 2023 and the third part will be held in the Museum of Lithography in Sweden in April 2023.
Exhibition is supported by the Cultural Endowment of Estonia.
The artist expresses her gratitude to: Liina Siib, Paul Rannik, Mart Saarepuu, department of graphic art at the Estonian Academy of Arts.
Exhibitions in Draakon gallery are supported by the Cultural Endowment of Estonia, Estonian Ministry of Culture and Liviko Ltd.
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
06.02.-04.03.2023
Berit Kaschan & Maret Sarapu
Berit Kaschan & Maret Sarapu
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
06.03.-01.04.2023
Maria Izabella Lehtsaar & Sarah Nõmm
Maria Izabella Lehtsaar & Sarah Nõmm
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
03.04.-29.04.2023
Tanel Veenre
Tanel Veenre
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
02.05.-27.05.2023
Roman-Sten Tõnissoo & Ellen Vene
Roman-Sten Tõnissoo & Ellen Vene
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
12.06.-08.07.2023
Helena Keskküla & Jihye Lee (KR) & Alice Slyngstad (NO)
Helena Keskküla & Jihye Lee (KR) & Alice Slyngstad (NO)
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
10.07.-05.08.2023
Maria Sidljarevitš
Maria Sidljarevitš
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
07.08.-02.09.2023
Edgar Tedresaar
Edgar Tedresaar
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
04.09.-30.09.2023
Kelli Gedvil & Kristen Rästas
Kelli Gedvil & Kristen Rästas
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
Kristen Rästas (1992) is an Estonian artist. He has graduated from the faculty of fine art at the Estonian Academy of Arts in 2019 (MA degree in contemporary art). Rästas has taken additional courses in the Hungarian University of Fine Arts and in Royal Academy of Fine Arts (KASK), School of Arts in Gent, Belgium. The artist has been participating in exhibitions since 2021 and he has held exhibitions in Estonia, Germany, Lithuania, Iceland and Belgium. Rästas works as an interdisciplinary artist who involves painting, conceptualist art and various multimedia projects in his artwork. His recent artwork has studied virtual and artificial landscapes, digital errors and the general obscurity of being an artist. Kristen Rästas is one of the artists working under the pseudonym Robin Ellis Meta and co-founder of post-gallery.online online gallery. The artist lives and work in Berlin and Tallinn.
02.10.-28.10.2023
Tuukka Kaila (FI)
Tuukka Kaila (FI)
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
30.10.-25.11.2023
Paul Kuimet
Paul Kuimet
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
27.11.-23.12.2023
Mari Roosvalt
Mari Roosvalt
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
27.12.-20.01.2024
Lilli-Krõõt Repnau
Lilli-Krõõt Repnau
Maria Erikson artistic practice is centered around engagement and contact. With the focus on materiality and materials as sets of relationships, she investigates visible and non-visible relations that are produced by the gestures between them. In new structural arrangements she investigates their jointness and indifferences, bodiliness and ability to inhabit shared space. Maria Erikson has completed two-year studies as a collaborative lithography printer and holds a Master Printer certificate from Tamarind Institute (USA), obtained MA degree in the printmaking study area at the Academy of Fine Arts/Uniarts Helsinki (Finland). In 2019, Maria Erikson received the Eduard Wiiralt grant and in 2021 she was awarded with Ann-Margret Lindell Grant for Printmaking (Sweden). Among her recent exhibitions are Notes from Borderspace (ARS Project Space, 2022); Taidegrafiikan tapa olla – materiality, collaboration and agency (Exhibition Laboratory, Helsinki, 2021); Grafik (Gallery Sander, Norrköping, Sweden, 2021).
HOBUSEPEA
GALERII
Avatud
E, K-P 11.00–18.00
Hobusepea 2, Tallinn, 10133
DRAAKONI
GALERII
Avatud
E-R 11.00–18.00
L 11.00-17.00
Pikk 18, Tallinn, 10133
phone: +372 6 464 110
e-mail:
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