On Thursday, 25 September, Tallinn Photomonth’s main programme will open its third exhibition, just juuri nüüd nyt, at both Hobusepea and FOKU galleries. The show brings together ten photographic artists from Estonia and Finland who explore the role of photography in contemporary art and test its conceptual and material boundaries.
Images hum around us. Tiny screens glowing in our palms, glossy faces passing by in the street, endless scrolls slipping through our fingers. Most we don’t even meet; they blur. But art asks us to stay. To let the picture breathe into us, to notice the air it shifts. Sometimes it whispers, sometimes it shouts. Sometimes it just waits – quietly – for us to ask: why are you here? who made you? what do you want from us?
In this exhibition, Estonian and Finnish artists let photography spill over its edges. It softens into light, tangles with words, grows into sculpture. It collapses and re-forms. It becomes heavier, lighter, stranger. Some works lean into emotion, some press into politics, others play – giddy with the sheer fact that a photograph can live outside its frame. Here, the image is not flat. It is a room, a joke, a dream you can enter.
The jury – Marten Esko, art historian and curator; Anna Mustonen, chief curator at Kiasma, Helsinki; Marina Rusakova, art historian and founder of Punctum Gallery; and me, artist and board member of the Finnish Association of Photographic Artists (VTL) – chose ten artists from over 500 members of VTL and the Estonian Union of Photography Artists (FOKU). We were guided by rhythm, by curiosity, by the restless wish to let photography matter differently.
This exhibition is also the first thread in a new weave between FOKU and VTL, a soft beginning of collaboration. When Estonian and Finnish practices meet, it feels like music in a shared room: distinct voices, entangled.
Here, photography is not only an image.
It is a pause. A spark.
An opening.
– Hertta Kiiski, curator
Artists participating in the exhibition are Andre Joosep Arming, Cloe Jancis, Karel Koplimets, Kristina Õllek and Maria Kapajeva from Estonia, and Andrey Bogush, Karl Ketamo, Maija Tammi, Noora Geagea and Saara Ekström from Finland.
The exhibition opens on 25 September at 18 at Hobusepea Gallery. Visitors are also invited to take part in the public programme of the exhibition. Preceding the opening, at 17, there will be an English-language curator’s tour, starting at FOKU Gallery, and on the following day, 26 September at 14, an English-language artist panel (moderated by Marten Esko) will take place at FOKU. The show runs until 19 October at Hobusepea Gallery and until 29 November at FOKU Gallery.
The main supporters of Tallinn Photomonth are the Cultural Endowment of Estonia and the City of Tallinn. Exhibitions at Hobusepea gallery are supported by the Cultural Endowment of Estonia, the Estonian Ministry of Culture and Liviko AS.
Thank you: Eckerö Line Ab Oy, Hestia Hotel Barons, Anna Niskanen, Henna Harri, Anna Airaksinen, photography magazine Positiiv.
On Thursday, September 25th, 2025 at 18:00, Ron Verlin’s first solo exhibition that which I was in life, I am in death will open at Draakoni Gallery. The curator of the exhibition is Sten Ojavee and the project manager is Olivia Soans. The exhibition will remain open until October 19th, 2025.
The exhibition brings fashion into the gallery context in a distinctive way, framing it through existential and social perspectives. Central to the exhibition are garments conceived as symbolic objects, embodying themes of decadence, decay, and transition as metaphorical states of weariness that precede redemption or rebirth. These motifs unfold through a language of symbols and allegory. At the root of the project is the artist’s dream of navigating a city with a bottomless pit at its core. This was a place where every sin demanded judgment, and every step could lead either closer to understanding or deeper into error. The artist later found echoes of this haunting dream in the pages of Dante Alighieri’s Inferno, which led to a poetic dialogue between fashion, mythology, and existential reflection. Dante’s Inferno and Purgatorio became foundational sources of inspiration for the exhibition.
The collection reflects the struggle between good and evil, inviting reflection on what might hinder an individual’s growth or shift into a new state of being. Questions of corruption, power, and hypocrisy from Dante’s time are reimagined through a symbolist narrative constructed using the visual language of fashion. The spatial installation presented at Draakoni Gallery integrates fashion, light, and sound to create an environment that invites visitors to engage in existential reflection.
Curator: Sten Ojavee
Project Manager: Olivia Soans
Graphic Designer: Alari Heinsoo
Sound Design: Lauri Kaldoja and Sten Ojavee
Installation: Johannes Luik, Lauri Lenk, Mihkel Lember
Supported by: Estonian Cultural Endowment
Partner: Estonian Centre for Contemporary Art
Special thanks to: Iia Verlin, Jaanus Verlin, Maria Roosiaas, Kristiina Tali, Jaagup Kaiv, Hanna Tiina Pekk, Otto Antson (support with 3D works), Visa Nurmi, Revo Koplus, Mihkel Lember
Exhibitions at Draakoni Gallery supported by Cultural Endowment of Estonia, Estonian Ministry of Culture and AS Liviko
Avatud
E, K-P 11.00–18.00
Hobusepea 2, Tallinn, 10133
Avatud
E-R 11.00–18.00
L 11.00-17.00
Pikk 18, Tallinn, 10133